The
Getty Museum has launched a preemptive legal strike to stop a French citizen
from taking a 14th century Diptych from its collection. In a legal complaint
filed in federal district court in California, the museum seeks an order
quieting the title of The Stigmatization of Saint Francis and The Crowning
of Saints Cecilia and Valerian, the so-called
"Ansouis Diptych" pictured here.
The Getty alleges that the defendant, Geraud Marie de Sabran-Ponteves, erroneously claims the religious piece for himself as part of "long-running inheritance dispute." The museum says it owns the Diptych.
Wildenstein warranted that it owned the Diptych, that it had been legally imported into the United States, and that there were no liens or encumbrances against it. In addition, the Getty undertook a reasonable investigation of the painting's provenance, as well as its authenticity. That investigation confirmed that the Diptych had been possessed and owned by the House of Sabran until its acquisition by Wildenstein, and yielded nothing that cast doubt on the validity of Wildenstein's representations.
The museum's complaint
stresses that the defendant knew the museum had the Diptych in 1987,
"[y]et, Defendant made no effort even to contact the Getty
until August 1999. When he did contact
the Getty, Defendant did not
assert ownership to the Diptych
or demand its return."
The letter simply asked for assistance to aid with the valuation of the
family's estate. "Then in the summer of 2012,"
the lawyers add, "Defendant 's French counsel sent the Getty two letters in which Defendant
claimed, for the first time, to
be the sole owner of the Ansouis Diptych. The letters asserted that the family's
sale of the Diptych-some 30 years earlier-was unauthorized, and that the Diptych
had been illegally exported from France."
Before a threatened claim could be filed by Sabran-Ponteves in civil court in Paris to recover the Diptych, the Getty decided to take legal action in the U.S., arguing that it has valid title; that the defendant is barred from taking the piece by virtue of the statute of limitations; and, alternatively, that the Getty owns the Ansouis Diptych by adverse possession.
This post is researched, written, and published on the blog Cultural Heritage Lawyer Rick St. Hilaire at culturalheritagelawyer.blogspot.com. Text copyrighted 2010-2013 by Ricardo A. St. Hilaire, Attorney & Counselor at Law, PLLC. Any unauthorized reproduction or retransmission of this post is prohibited. CONTACT INFORMATION: www.culturalheritagelawyer.com